For the premium feel which Chevrolet desired, we lit Trevor’s main interview very carefully, and used two cameras to film it. The “A” camera was on a slider, to create a constantly moving and dynamic talking head shot, while the “B” camera made use of carefully-placed foreground detail – in this case some interesting bits of Baylis-related paraphernalia! This meant it didn’t just look gorgeous, but it was relevant to the theme. Everything for a reason!
To accompany the interview we filmed Trevor in other settings, both in his workshop and also driving the Chevrolet around Richmond Park. The use of a heavy duty limpet car mount allowed us to safely secure the camera to the bodywork of the car and achieve some interesting angles.